AI for game developers, in your art style.

In the 60 days to Sep 29, 84 paying Visualizee accounts made 1,379 game renders, and 82% of them started from a reference image. UI was the biggest job: 22 accounts, 862 renders. We recorded the four jobs they run most, with the prompts, the clock and the credits on screen.

• After

  Wireframe + key art → finished screen

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  Message to Vizzy

  “Turn the grey-box wireframe in the first image into a finished game UI screen in the exact art style of the second image: hand-painted cozy fantasy, warm wood, parchment, amber, teal and plum, painterly texture. Keep the wireframe layout exactly: the INVENTORY title bar with the coin and gem counters top right, the portrait panel with the WEAPON, ARMOR and ACCESSORY slots on the left, the 4 by 3 grid of item slots, and the EQUIP, SELL and BACK buttons along the bottom. Put the fox-eared adventurer from the second image in the portrait and painted items in some slots: a potion, a lantern, a sword, a shield, a scroll, a key. Readable labels, crisp edges, a finished in-game screen.”

• After

  Finished screen → the next screen

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  Message to Vizzy

  “(the finished screen and the shop wireframe as references) Turn the shop wireframe in the second image into the next screen of the same game, in exactly the UI style of the first image: the same wooden frames, parchment cards, buttons, fonts, colours and painted icons. Keep the wireframe layout: the SHOP title bar with the coin and gem counters, the merchant portrait with a speech bubble on the left, the 3 by 2 grid of product cards with an item, a name and a price each, and the BUY and BACK buttons. Make the merchant a friendly badger shopkeeper in the same painted style and fill the cards with six different items.”

• After

  Screen → asset sheet on green

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  Message to Vizzy

  “Game UI asset sheet extracted from this inventory screen, for import into a game engine: every reusable element separated and laid out in a clean grid with generous spacing, each exactly as it looks in the screen: the empty title bar, the coin and gem counter frames, the empty portrait frame, the empty equipment slot button, one empty parchment slot, one empty dark slot, the empty wide wooden button, and the item icons on their own without slots: the potion, the lantern, the sword, the shield, the scroll, the key, the gold coin, the blue gem. No text labels. Every element on a flat solid pure chroma-key green background (#00FF00), no shadows on the green, nothing overlapping or touching the edges.”

• After

  Asset sheet → new icons in the set

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  Message to Vizzy

  “(the asset sheet as the reference) Six new item icons for the same game, in exactly the style of the icons on this sheet: same painted look, outline, lighting and size. A battle axe, a longbow, a silver ring with a teal stone, leather boots, an iron helmet and a glowing mushroom. Laid out in one row with generous spacing, on a flat solid pure chroma-key green background (#00FF00), no shadows on the green, no text.”

• After

  Key art → four-view turnaround

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  Message to Vizzy

  “Character turnaround sheet of the fox-eared adventurer from this key art, for a 2D game: the same character four times in a row at the same size, front view, three-quarter view, side view and back view, neutral standing pose, full body head to boots. Same face, orange hair, fox ears and tail, purple hooded cape, teal tunic, leather belts, satchel and lantern, same hand-painted style. Flat solid pure chroma-key green background (#00FF00) around and between the figures, no shadows, no floor, no text.”

• After

  Turnaround → dialogue portraits

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  Message to Vizzy

  “(the turnaround as the reference) Dialogue portrait sheet of the same fox-eared adventurer from this turnaround: six head-and-shoulders portraits in a 3 by 2 grid, same face, hair, ears, hood and style, each with a different expression: neutral, laughing, surprised, angry, sad, determined. Same size and framing, facing three-quarter left. Flat solid pure chroma-key green background (#00FF00), no frames, no shadows, no text.”

• After

  Gameplay mockup → clean background

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  Message to Vizzy

  “From this platformer gameplay screenshot, make the clean background plate: remove the HUD (the hearts and the coin counter), the knight, the two coins and the green slime, and fill where they were with the scenery behind them. Keep everything else exactly as it is: the mountains, the misty pine forest, the trees at the edges, the wooden bridge platform, the ferns, the light and the camera. The level background only, ready to put gameplay on top.”

• After

  Background → foreground parallax layer

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  Message to Vizzy

  “(the clean plate as the reference) From this background, keep only the foreground layer: the mossy wooden bridge platform with its posts and hanging vines, the ferns and rocks along the bottom, and the two large framing trees at the edges, exactly as they are, same position, size, art and light. Replace everything else, the sky, the mountains, the misty forest and the gap under the bridge, with a flat solid pure chroma-key green (#00FF00), so the foreground keys out as its own parallax layer. No shadows or glow on the green.”

Every game art job, with the prompt and the result: all use cases

Ranges are the studios' own published pricing: RocketBrush Studio (game art outsourcing prices, May 2025), Whimsy Games (game art outsourcing costs, March 2026) and Pixune Studios (character design cost, August 2026). A studio price buys an artist's judgement, revisions and a hand-finished file; the recordings buy a locked target in a minute. Most teams use the second to brief the first, or for the volume around the hero pieces.